Suitability of the One

An important point to bear in mind is that suitability can be very narrowly defined. Suitability might be personal, cryptic or ephemeral. Take for example the suitability of The Throne of the Third Heaven of the Nations’ Millennium General Assembly. https://americanart.si.edu/artwork/throne-third-heaven-nations-millennium-general-assembly-9897

The Throne of the Third Heaven – Daderot – Wikimedia Commons

I stumbled upon this monumental artwork in the American Art Museum many years ago. It’s staggeringly peculiar for a number of reasons. First, it’s rather obviously constructed of tin foil and light bulbs. Second, it’s large, occupying it’s own room sized exhibition space. But best is it’s story. Continue reading Suitability of the One

Two-Part Creativity

Sternbert and Lubart (1999) defined creativity as the production of responses both novel (original, rare or unexpected) and suitable. Suitability depends on the venue: compelling in the arts, marketable in business, useful in science and technology or adaptive personally or socially.

This two component (production and suitability) definition changes creativity from a trait to a process in which a new idea is transformed into a compelling, marketable, useful or adaptive product. Given the number of steps involved, that nifty idea better fall on fertile ground. Continue reading Two-Part Creativity